Felt the fear and it was loud and clear.

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So, with a heart beating out of my chest with nerves, and that all too familiar feeling of ‘Why oh why do I put myself through this, I could leave, right now, and stop being stupidly sadistic and just, well, stop putting myself in situations I’m scared of’, I performed fifteen minutes of Jo Harper and myself’s piece, ‘Can you hear me running?’ at Tamasha Theatre’s scratch night.
Most actors I know feel that adrenalin rise and that nervous stomach flutter as the half is called, but when you have not stepped on a stage in eight years, and the last time you sang in public your voice sort of ‘broke’ (not great timing in an audition) and then you found yourself over four years having investigations and surgery and very long silent periods of your life, then obviously the stakes were pretty high on this occasion. What would come out of my mouth? A squeak? A growl? Nothing? Who knew. But the time had come to take the risk.
I waited on a chair at the side and looked up to see Steve and my friends waiting in expectation. Some of them had never seen me properly perform. For most of the time since the boys were born, I’ve done mostly tv and commercial work, so this was a side I’d not presented before to a few of them.
The music rose, ‘Dog days’ by Florence and the machine, I stood, walked to a chair centre stage, took a deep breath and spoke. And…all is present…loud and clear.
The reaction was great and for those fifteen minutes the live performer was back, enjoying the rapport, the fun, the energy and lets face it as my husband said the fact that I just like to ‘show off’. Jo and myself were really pleased and felt we could take so much from the experience to move forward with the piece. Our next plan is to look at some funding so that we can develop the rest of it and hopefully get it to full production in the next year. One of the most strange and heart warming parts of the evening, apart of course from brilliant friends who’d turned up to support, was that there was a guy there who had been through exactly the same experience as me, the hospital visits, the speech therapy, the surgery, the recovery, the same consultants that I had brought to life on stage and is now working as a voice teacher. This was his story too, minus the marathon so I’d love to meet him again and see how he could help us with the play.
In other news, I had my meeting at the Royal Court which was fantastic. They’re not taking my play ‘Trace’ further although really liked it, and this was an opportunity for us to create a relationship and talk about my writing which felt like a huge honour. I left with some really useful ideas and just felt an added confidence in my work that I’d not felt before. I also left a play behind which I hope they like.
So having finally finished my tax return, which got the biggest prize this year for finding anything else in the world to do, (I think I actually cleaned the top of one of the kitchen cupboards at one point – or should I erm being doing that anyway? ), I can now look forward next week to a bit of a break, my chopping job on hold too for the time being.
July always makes me a little reflective and although, I’d fully intended not to make this blog too personal, it feels like creative pursuits can’t help but be fuelled by whatever is happening in your non computer life. So, my eldest starts secondary school this year, which is an ending to one era and beginning of another for us all as I have only one school pick up to do, and by some symbolic, cinematic, coming of age novelistic ( is that a word?) way, the last of the gerbils passed away this morning too. They found themselves being well travelled little rodents, having been with us to Malvern, Oxford, Wales, Devon, even Yorkshire I think. We drew the line at camping. Sometimes they served to me as yet another thing to feel guilty about if we hadn’t changed the bedding enough, or given them enough toys but they were cared for, fond of them as we were and it was sad to see Butternuts lifeless body this morning. Her heart was beating so fast yesterday and now just a little shell remains. The box is ready for the boys to perform the burial in the garden later on, next to where ‘squeak’ fellow roadie rodent is buried and once they’ve said goodbye, life, inevitably moves on in childhood to the next thing. I hope my eldest enjoys this summer before he has to put on a blazer, looking like he’s off to work and copes well as things are lost in life. Teenage years can be hard, I remember -(just about, not telling him I was drinking cider and black at fourteen) so hope the hormones don’t upset him too much. Which ties up with my ending very neatly in this post. I lost someone hugely influential in my life last September and watched that beating heart, up close, slow down and his colour fade until there was silence. I’d like to thing that he waited for me to get there so that I could sing to him one last time, ‘How great thou art’ his favourite and also ‘The sound of music’. He tried to sing along, thin and raspy as his voice was, the beat still there, that internal tapping that I have. So when my heart was beating madly on stage for the Tamasha night, I was nervous, but not afraid. It’s like when I’m running, that beating chest is a great reminder that you’re here, your heart’s pumping and while you have a chance then sing it loud and clear. And as Maria, Julie Andrews, herself having ironically suffered from vocal problems not too long ago sang before life started taking things away:

‘I go to the hills when my heart is lonely
I know I will hear what I’ve heard before
My heart will be blessed with the sound of music
And I’ll sing once more

Read more: The Sound Of Music – The Sound Of Music (maria) Lyrics | MetroLyrics

And on that note, that’s me over and out for the summer.

Can you hear me running?

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So tomorrow evening, Friday the 20th at 7.30pm with the help of the writer Jo Harper, we will be trying out a short bit from my new one woman show ‘Can you hear me running’ at Tamasha Theatre’s scratch night. I’m excited and nervous in equal measure, but ready to explore the possibilities of whether it works in front of a live audience. I’m doing it with script in hand as it’s early stages in the hope that next time, we can show even more off script. The beauty of this evening is that it really is to try out new work and gives artists that room to discover and gain feedback.
I’m off to meet our director now and do a quick four hour rehearsal before the tech tomorrow afternoon.
Its’ interesting to re visit a time in my life where I felt a struggle but also great exhilaration that I could overcome adversity and I hope it reaches an audience and resonates. Jo has done an amazing job with the script and has written something I was too close to fully write myself. I love collaboration and have found this whole experience so far, creative and cathartic. So come and see me play ‘myself’, or rather a ‘version’ of myself. Here’s the link, be great to have support.

http://www.tamasha.org.uk/scratch-nights/

Will report back. I may even sing!

One woman in her time plays many parts.

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So here we are in May! I’m not sure what happened to my March and April posts, they just didn’t happen. I’d like to say it was because I was…over in LA or busy rehearsing a new play….or up to my ears in meetings, but sadly not. I did a few commercials which are airing now, one for a bank and one for another cleaning product ( I’ve just got that face) which are always welcome to receive when things get tight, and did a corporate job in Stockholm so all good and appreciated, and my veg chopping job continues a few days a week.
What I can deduce from this activity is that the air I’m giving off right now is that you would trust me in a bank, albeit with what looks like a constipated smile, I care ALOT about having a clean carpet (alright alright…no giggles from friends) and can also negotiate a group of rowdy men in suits, high on chocolate, who haven’t learnt how to not interrupt and finally I have found the ultimate way to slice butternut squash WITHOUT slicing your nail off ( It only took a few weeks to grow back but it was touch and go in a few castings where you hold up your hands).

Good news is that I’m fully back in the swing of my writing class led the Amazing playwright Jemma Kennedy. I’d missed the weekly class and all that it supports in my writing so was relieved to be back. I had to take care in my over excitement not to bounce around like a demented puppy and spew verbal diarrhoea at everyone oversharing information (which I’m prone to do). Fortunately, I’d resisted too much coffee so held back. Just as a plug, Jemma’s play ‘The summer Book’ is about to open at the Unicorn Theatre soon, so get yourselves down there. It looks great and I’m booked already. We looked at my play ‘Fireblight’ in week two of class and it was a great help to hear what I call the ‘grubby’ play out loud. Grubby because it’s a little bleak and I feel I need to wash my hands after reading it. I’ve got some great ideas to work on from the feedback, so now I just need to stop being so lazy and get on with the second draft. I’m finding anything other than that to do, but I WON’T go as far as ironing, I draw the line there!

And so, one of the most exciting bits of progress is that Jo Harper, who is writing my one woman show ‘Can you hear me running’. based on me running the marathon after my vocal surgery has finished a first draft of the play. We had a reading over at mine and it’s in great shape. It’s a subject I could never written about myself as it’s all too close to the bone, but she has managed to get right under the skin of the emotional journey I went on through quite a dark period of my life whilst still making it funny and entertaining. We’ve been sending it off to a couple of scratch nights where we could try out a small section of it and get some feedback, so hopefully, before the summer, we should be able to show something. I have to say it terrifies the living daylights out of me, as it’s such a personal piece but I reckon that it’s time to engage with the whole ‘Feel the fear’ malarkey and all that (gulp). And I’ve sat beside friends last year facing up to far more scary things than that…so, keeping the momentum going.

What the piece also made me think about a lot is how many roles women play out in their lives. As the piece develops it’s about not just about my experience, but about any woman juggling her world whilst staying true to herself. Someone came up to me in the playground the other day having seen my ad and said ‘Oh, so you work for that bank?’. I said ‘Err…no..I’m an actress’. ‘Oh’ she said. ‘But how did you get on it?’. ‘Because I’m an actress and I was playing a part’. ‘Oh, wow…wow’ she said, well done’. and walked off looking flummoxed. I smiled to myself. I’ve become an underground actress. I’m just a mum at school and so it was completely out of context for someone to see me on the screen. I guess I should be flattered or worried I’m not doing more? At least I’m believable as the other day I got the old ‘how do we know you’re telling the truth if you’re an actress..hey…hey? (YAWN). Acting is actually the one place you have to learn to be truthful when you’ve pretended to be so many other things to finance your career. To ‘Lie’ in real life would be pretty useless in social situations. However it did get me thinking about all the other less convincing roles I’ve played out in the last twenty years to support my acting career, so I guess there’s a time and a place for it to be useful. Here’s the list, not in order: Watch repairer (I had three suits worn in rotation over three week periods), customer services in jewellers, paint your own pots café, art shop, café, receptionist, millions of temp jobs..can’t even remember what I was doing things, role play, children’s entertainer, children’s workshop leader, poster and leaflet distributor, marketing assisitant, pasty shop, Madame de Pompedou ( National gallery)…the list goes on. Does it make me a jack of all trades and master on none though?

And so, one woman in her lifetime plays many parts, with their entrances and exits( sorry, now I’ve got my tag line I’m in a roll…cheesy I know) and some prove more believable than others. Being a mum is up there with one of the most truthful ones to date, there’s no getting away from yourself there and fuels an honesty and depth of tenacity I never knew, one You can’t and would never want to exit from. My episode of Foyles War came on the other day from years ago. ‘Look boys..mummy being a WAF officer’…’oh yeah they said, (polite pause as they watch me on the tele look earnestly at a bomber in danger of crashing)… can we put Harry Potter back on?’. ‘Yeah…yeah, lets’ put Harry Potter back on’ I said. The programme is, after all, something in the past, from years ago, even before they were a tiny idea in the bright sky, nothing to do with them, someone with big 1940’s hair they sort of recognise. To them, I’m Mum, and I’m glad to cherish that role, whilst still keen to make sure my little voice of creativity is heard.

Ooh and I’m sorry to the next temp who was left with a mess to clear up at a pharmaceutical company job in Ealing in 2002. I pressed a lot of buttons and things disappeared! I’m sure, however like me, you were soon moving on to the next role!

A Crystal bear in Berlin, chopping onions and taking the rough with the smooth.

Mike still

 

 

 

Crystal
Bear!

So February opened with some great news that the film ‘Mike’ I did last summer won a Crystal bear at the Berlin International Film festival. I was so pleased for all involved who put a lot of hard work into it and very proud to be part of it. Here’s to it’s continued success! Its a fantastic film that I can’t wait for people to see.
Also in acting news, and got in the most strange, but welcome way, I did an advert which should be on around April time. I say strange because I was probably the least prepared I’ve ever been. I got the call to audition with only a few hours to prepare, basically had to go from wherever I was to it, in whatever I was wearing. The audition was for a bank worker which on this day I certainly was not looking like. I had leggings, grey boots ( which my son calls those horrible ‘baggy boots’, a green t shirt with holes in, no make up, unwashed hair and eau d’ onion as I’d been furiously chopping them for half an hour mid call to my agent. Ah well, nothing to lose I thought, it’s a trip into town. I’ll treat myself to a coffee and window lick some shops, May bump into someone I know, so I went along. Will make up the hours at work the next day. Got there in time and was directed downstairs, to see before me a sea of suits, tidy hair, manicured nails and people who looked like, well.. yes, you would certainly trust them with your finances and they wouldn’t be smelling of vegetables like myself. Take a day when you wear your scummy, putting the bins out sort of clothes and that was me. Even my husband later on looked at me and said, ‘What? You went looking like that? really? There’s no way you’ve got the job’. He wasn’t being mean. I looked rough. I sat next to a suited actor and looked down at my feet. There was a little bit of butternut squash on there, seeds and all so I tried to subtly scrape it off with the other foot. I then licked my finger and tried to do a quick clean of them. No use. The baggy boots have seen too many rainy school runs and even the lovely lady sitting next to me when I said I was ‘smelling of onions’ and that I had carrot stained crevices on my hands knew that this one wasn’t in the bag for me. I had tried to patch together an acceptable appearance with minutes to spare before the audition and nipped into boots as quickly as I could wiping the beads of sweat off my face and sashaying up to the Clinique counter. I had to pretend I was about to buy some really expensive make- up, soon getting into character with ‘Mmm, nice, yes, may come back later and buy that after I’ve seen how well it wears during the day’. Anyone who knows me well knows that it’s hard for me to lie so this never sits well for me and I always go over the top. And they knew it. There were no flies on the women in the white coats behind the counters. They’ve seen this trick a million times and the baggy boots were a sure giveaway no matter how posh you try and sound. But they play the game anyway. So, with a little concealer and probably the most garish blusher on (again, I can’t be mean so agreed that the shade did look good though it was awful) I left the shop, a little rosier than planned but the spots and bags under eyes gone. So, me and the other lovely actress went in, smiled, did the usual, I tried my best to look earnest, sincere, bank like and that was that.

Two days later, one of my plays is returned. The envelope I didn’t want to see. I was feeling pretty dejected about it. The package was handed directly to me from the postman in the most matter of fact, assured manner which only served to strengthen it’s rejection. There it is, in the big, bold, hopeful permanent marker writing, LOUISE BRECKON- RICHARDS. I’d very stupidly drawn up a list near where I write, of places that I’d sent the play to and as each one was returned put a cross next to it. Here was the next cross coming. I calmly take the list off my pin board. I decide it’s a negative image to see too many crosses and put it in the bin along with my hopes for now. There was only one more theatre on the list and they haven’t got back either, so it seems fitting to bin the whole page, for now. I’m only setting myself up for disappointment.
The same day I get a call from my agent, ‘ Erm…you’ve got the job!’. Err… What? No recall? ‘No’. They didn’t say,’God she stank of red onions?’ ‘No!.’ ‘No revulsion at the baggy boots?. No, it’s been handed to you. Just like that. As directly offered as the play was directly returned.

And my play? Well, the last Theatre on the list, the one without a cross next to it, a little blank hopeful space left open next to it, got back, and I can’t get too excited but someone there liked it. Someone. That’s enough for now. The play is called ‘Trace,’ two of the definitions for the word being a ‘Visible mark’,’ A way or route followed’.
Which I guess most of us are just trying to do in some small way, following the right path, trying to make a little mark, taking the rough with the smooth and living in hope for some visibility and recognition for our efforts.
Hope – “to cherish a desire with anticipation”; I hope. I really do hope for a tick. And with that thought I’d better scrub off the smell of onions, you never know what’s round the next corner.

Ready and waiting.

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Well, sadly I didn’t get the advert which would have been great just before Christmas, and on hearing (or not as is so often the case these days) the news, went through the whole ‘should I have worn the same top for the recall…was my hair the same, am I too old, young? Was my hair the right colour, the lucky necklace, did I wear the lucky necklace? Why weren’t they smiling? .. blah blah blah’, the same old useless inner commentary that taunts an actor and then, I simply forgot about it. Because you have to. You may have been an inch too short for the guy playing your husband and no amount of analysing after would make a difference. I also went for one shorty after that, that certainly would have put a few more tangerines in the stockings, but you have to learn very quickly with commercial castings to just stop thinking about them almost as soon as you have left the waiting room. Otherwise, you’ve got halfway down Oxford street and in your head you have spent the money already. I’ve been on some amazing holidays and bought the most luxurious houses after coming out of a casting, living as we all do with the endless day dreams of financial possibility and opportunity. Anyway… it’s a new year. Bring it on 2014.

Other news is that we had the table reading of my comedy script, The Biz of Show which went really well. I don’t know why I thought it would be so hard to organise when in fact all you need is the script, some actor friends and one of those or yourself who is willing to host, find a time, send the e- mail..and bobs your uncle. My friend hosted which I was very grateful for so I arrived with cakes, fruit, water etc. Well I wanted it to look professional and they were giving their time freely.
It was fantastic to hear it aloud and yes… they laughed, and so did I. Are you allowed to laugh at your own jokes? Does it not look really narcissistic? I guess you have to find your amusement somewhere. They all brought the characters to life brilliantly and I clearly saw where I needed to make some changes in the script. So the next plan is either to record it as a radio pilot piece or to just try and get it filmed and show snippets on the web as a teaser. I’m very excited about this and think it can all be done very cheaply and quickly erm..any investors out there? Anyone?…
In other writing news, the sad part is that I’m not part of my playwriting group this term as I’ve had to cut back a little, but I’m planning on returning in the spring, by which time, I will hopefully have worked more on my new play working title Fire blight or Boxes..
I’ve not been enjoying writing this one as it’s a bit urban and grubby and close to the bone but I found this quote

One usually dislikes a play while writing it, but afterward it grows on one. Let others judge and make decisions.
ANTON CHEKHOV, letter to Maxim Gorky, September 24, 1900

Who knows, maybe the one that’s the most difficult to write will prove to be the one people get. I live in hope.

Jo got our pitch off to the Bush Theatre’s submission window for the show based on my running blog and losing my voice, so we’re crossing our fingers that we hear some good news about that and even if we don’t, we’ve got a great skeleton for the piece and we will pursue it another way.
And lastly, I sent a pitch off to Undeb Theatre http://www.undebtheatre.com/ on Monday who had a fantastic opportunity to pitch for their summer festival. You had to only have two characters, they had to be welsh and you were only allowed one prop. Either way, it was a really good exercise in really nailing what your idea was about. It was also great for me because I always write loads of characters and to whittle it down to a two hander stopped me from getting carried away. I’ve no idea how I’ll do on that one as I was trying to squeeze in moments to do it in between Christmas overindulgence and travelling the length and breadth of the country as a family of four plus two gerbils…yes gerbils…but we’ll see.
And so that’s it for now. Glanced at something the other day very quickly that said ‘Active waiting’. Still not sure what it means. ‘I’m ready and waiting’, but ‘active’ suggests I’m actually doing some sort of physical activity whilst staring at the keyboard like typing with one hand and doing leg lunges with the other. Maybe that’s one to explore another time but I’m guessing it means, DON’T stare at the keyboard or your phone and go and do something different instead as in the old 70’s WHY DON’T YOU, which I now have running through my mind. Anyway, thankfully have some other non creative work to keep the wolf from the door and eyes not permanently waiting. Last quote of the day as we all roll, jump, saunter or leap into 2014


Writing has … been to me like a bath from which I have risen feeling cleaner, healthier, and freer.
HENRIK IBSEN, Speeches and New Letters Read more at http://www.notable-quotes.com/p/playwriting_quotes.html#80PyASzgQ4sIwPjm.99

We Plough the fields and scatter…..

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Hello! Hope this works! I’m back on with blogging again. Just started to write my first post on this site and windows decided to start ‘shutting down’ or configuring something…not sure what, which just about encapsulates alot of the flavour of this year. It also reminded me not to get too pretentious as I was just about to say something, which I thought was profound, when it probably wasn’t and thankfully, technology strikes me again with it’s cruel unsentimental whip!
Anyway, attempt number two…
Well, the last time I wrote a blog, I was training for the marathon and found it a great way of updating myself with where I was at with certain things as much as everyone else and as I’ve now got this new website which I’m very grateful for the help with ( Thanks you so much again. My other one couldn’t open on I pads or phones…not great in these times), I thought I could update my creative pursuits.
This has certainly been the year for ploughing the fields as the title above suggests. I feel I’ve been getting my hands dirty and really digging in to try and prepare something great for a later date. I feel Like I’ve been ready for the moment, I hope that I’ll reap some sort of harvest of recognition for the effort I’ve been putting in to both my acting career and my writing.
On the one hand all I can see are returned plays, rejections, getting close to jobs, and utter disappointments in everything I am trying to achieve in my professional life. However, on the other hand, I see three plays that have been written, progression in my work, that I have still continued to contribute financially to my family life maintaining myself as an actress, whether that be commercials, t.v, film or corporate and that actually success is something hard to stick a badge on and that whatever seeds I’ve scattered, nothing is wasted in time and effort.

Well these are the new seeds I’m sowing. On Thursday, I’m gathering a group of friends together who have very kindly agreed to read through my comedy drama. I need to hear whether it is…erm…actually erm..funny and then, if it is, then I’m keen to film it or record it for radio. Other news is that I have a new writing partner (I say new…I’ve never actually had one before, the very funny Ruth D’Silva) We will be messing around and creating havoc soon, watch this space. It’s very exciting. Playwriting class is about to end this term and once again has been inspiring and enjoyable and all who sail in the ship on a wednesday morning continue to provide anchor, buoyancy and udder when the stormy seas prevail.
I cannot imagine where my creativity would have landed without it and especially in the early days when I was recovering from vocal surgery and could not express myself.
Last but certainly not least, I’m actually re visiting that time and working on a new piece with the writer Jo Harper about losing my voice and how I overcame the adversity, found another muscle to work and ran the marathon. We’re collating material and Jo is working out how it can all piece together. Our first port of call is the Bush Theatre’s submission window for Theatre makers, so we need to get our proposal in about two weeks. Either way, we want to get the show moving and both have a good feeling about it.
So, I’ve just had a look at info on the Van Gogh painting, ‘The Sower’ above and found this quote from the man himself when talking about how he held laborers up to a high standard of how dedicatedly he should approach painting.

One must undertake with confidence, with a certain assurance that one is doing a reasonable thing, like the farmer who drives his plow… (one who) drags the harrow behind himself. If one hasn’t a horse, one is one’s own horse.” Well said Vincent! I’ll keep sowing then. I guess I’m the horse pulling my stuff along, but I’m feeling strong so can cope…..back to work and keep moving and onwards! Oh and on another lighter note, I’m pencilled for an ad. crossing fingers for it before christmas. Wonder if Vincent would say it’s a HB pencil or 4B…I never know how heavy they really press on them these days!!